Debbie Harry and Blondie

Creative TipBlondie Is A Group!

So said the buttons Blondie’s members wore to distinguish the band’s name from lead singer, Debbie Harry.

Blondie Is A Group!
Debbie Harry ripped the stereotype of Blonde Bombshell to shreds.

Platinum starlets from 20 years earlier, like Marilyn Monroe and Jaine Mansfield, were portrayed as ditzy and air headed and innocently hyper-sexual.
Marilyn Monroe
Debbie Harry was one of a handful of women fronting bands during the punk revolution. Although considered more of a pop band than punk, Blondie managed to create an iconic sound and look that is still relevant forty years later.

Harry has admitted that most of her status as a punk era icon is based on her looks and style. While that may seem true, none of that would have mattered without the attitude.

Debbie Harry Vulture

Women were just coming to terms with their power outside the domestic arena in the 1970’s. Suddenly, here was a beautiful, sexy blonde who took the lead position in a group of men and yet did not dress or act in a masculine manner.

She did not play dumb and she was not a play thing or an object. She somehow managed to be the hot blonde in a boys’ club and still be one of the boys.

 

Many people say Blondie shouldn’t be considered a Punk band because they played Pop music. Here’s what the band members have to say about that:

With Blondie’s 40th Anniversary upon us, lots of articles and videos are available. Here are a few:

Also, Blondie co-founder and guitarist, Chris Stein, has come out with a book of photos of Debbie Harry and the punk scene during the 1970’s and 80’s. It looks amazing.

Debbie Harry is an amazing style icon. She redefined feminine tough girl chic.

Check out the Lux Punk Pinterest board for more Blondie photos and a full video biography.

 

Stay tuned for next week’s post when we explore the oft neglected…Men of Blondie!!

Also, be the first to find out about new promotions, blog posts and other Lux Punk news. Thanks!

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Halloween Month-Psychobilly, Y’all

Psychobilly Week

It is my pleasure to present, as we wind down All Hallows Month, one of my favorite genres of music. In fact, here are my personal albums:

My collection

Psychobilly is a blending of Punk Rock and Rockabilly. Sometimes the lyrics are about such erudite subjects as being a Teenage Goo Goo Muck, cutting off a girlfriend’s head and putting it on a wall, monsters, werewolves, aliens, gore hounds and what not. The music is wild and fun and perfect for Halloween.

Here are my faves:

The Cramps


The Cramps never considered themselves Psychobilly but everybody else did. God, I love The Cramps. I mean, not the kind of cramps that… You know what I mean.

I got to see this awesome band play in London in the early 1980’s at Hammersmith Palais. I expected it to be a fun, cool time like in Austin, TX at Club Foot or something. But those English guys were effing serious.

My sister and I, fortunately, made our way up to the balcony because the floor was insane. This giant clump of mohawks was swaying from one side of the building to another. Not necessarily on purpose. Once you were in that mess you were absorbed. I discovered then that English punk rockers were a lot more violent than Texas ones and there were a lot more of them!

One of the main things I remember is that the lead singer, Lux Interior’s pants were so tight they started ripping off of him as he jumped around and performed. It was not a bad sight. Here’s a little taste of their early magnificence.

Here’s a little preview:

The Meteors


The Meteors are considered the first and most “for real” Psychobilly band. Their song Wreckin’ Crew was the inspiration for slam dancing apparently. This music is so bad ass. I defy you to listen to it and not want to push something over. I still have the vintage western shirts that I wore over leggings with vintage cowboy boots and a bunch of old bolo ties. Hell yeah!

By the way, when are bolo ties coming back? I mean, come on, people, they’re awesome. Here is the song Wreckin’ Crew since you’re probably curious, but there are lots more good songs from them as well.

Slam on!!!

Hasil Adkins

I saved the best for last. This last guy, Hasil Adkins (pronounced Hassle) is not technically Psychobilly. He was actually Rockabilly and probably psycho. This guy was making music in the 1950’s and 1960’s and was like nothing else and no one else. Before I give any background, I want you to hear him first because it’s a little indescribable.

Surprise! You may recognize this song from a commercial that’s on at the time of this post.

I heard about Hasil Adkins in the 80’s when you couldn’t just Google something you were interested in. My Rockabilly friends knew a bit about him, but at the time he was still a bit of a mystery. We just knew he was some crazy hillbilly who made really amazing freaking music back in the day. So guess what I did? I Googled him! and guess what else! There’s a documentary about him. I am going to leave it up to you if you want to find out more, but I understand if you want to keep the mystery alive. Here are some need to know facts.

  • Hasil Adkins was an honest-to-God Appalachian hillbilly.
  • When he was young and heard songs on the radio he thought the singer played all the instruments too, so he taught himself to play a guitar and beat a drum with a foot pedal at the same time.
  • He was hot, hot, hot in his youth and a serious ladies’ man.
  • He would mail copies of his latest album to the current sitting President of the US and actually got a generic acknowledgement from Nixon.

You can purchase a short documentary filmed when he was still alive in case you can’t stand not knowing more:

The Wild World of Hasil Adkins

So there it is, little Hellcats. A sampling of the awesome music genre that is Psychobilly.

Don’t forget to join the mailing list so you can find out when new blog posts go up. I will also be adding cool things I find on the web, and elsewhere, that I only include in the newsletter. Until next week!

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Halloween Month-At the Movies

Lux Punk Halloween Movies

Horror movies are very popular right now.These are tough times and I suppose there is some relief in being scared out of your mind on purpose. At least you know in an hour and a half, it’ll be over.

There’s something wonderful about scary movies of the past, before CGI and digital special effects. The audience really had to suspend their disbelief and agree that the silver spray painted cardboard thing was a giant robot.

Santa conquers screenie 2

My favorites are the horror movies that are just so unintentionally bad, they’re hilarious. If you’ve never seen the television show, Mystery Science Theatre 3000 ( MST3K), please get on that. Some of the episodes are on Netflix and You Tube at the time of this writing.

Two of the movies in this post fall under the “so bad they’re good” heading and one is just freaking terrifying.

Plan 9 From Outer Space (1959)

plan-9-from-outer-space-ed-wood-poster
Of course, we have to begin with the movie once voted the “Worst Movie Ever Made”. How can you not want to watch that? Released in 1959, Plan 9 has a little bit of everything: Aliens, Clairvoyants, the Undead, Professional Wrestlers, Bela Lugosi, the director’s wife’s chiropractor, wobbly tombstones, it’s all just delicious.

The director, writer, producer, Ed Wood, really thought he was going to be famous and the next Orson Welles. He also believed in shooting everything in one take no matter what.

The film is about a verbose, over-acting alien who decides to teach Earthlings a lesson by raising the dead and having them stumble around slowly in a cemetery with their arms outstretched. In this case, the most entertaining part of the movie is not the plot, it’s the horrible acting, writing and mistakes. Normally, bloopers are shown after the movie or on a separate reel. In Plan 9, the bloopers are actually in the movie. IMDB has an extensive list of goofs and flubs. Go HERE if you want to see.

Just a couple of hints, Ed Wood had pre-filmed his idol and friend, Bela Lugosi, in a few scenes. Those are the shots of the old man leaving his house in the middle of the day and at his wife’s grave site. Unfortunately, Lugosi died before filming began. Instead of recasting the part, the director hired his wife’s chiropractor to play the role in the other scenes. Those are the shots of the considerably taller man with a cape covering his face.
Also, watch out for Vampira and the other undeads kicking over paper-mâche tombstones as they stroll through the graveyard and the police officer who uses his gun to scratch an itch.

Here are two of my favorite things; MST3K and Plan 9 from Outer Space:

Since Tim Burton’s Ed Wood movie was released, Plan 9 From Outer Space has become much more popular and even beloved. It really is great in spite of itself. Wood knew it was a hit before anyone else. He said,

If you want to know me, see Glen or Glenda (1953). That’s me, that’s my story, no question. But [Plan 9 from Outer Space (1959)] is my pride and joy.

The best thing is, Ed Wood actually was trying to make a great film. This is not the case in the next film.

The Tingler (1959)

The_Tingler

The Tingler was the second collaboration between Producer/Director William Castle and Vincent Price, the first being the successful, House On Haunted Hill. The Tingler was a wobbly insect looking thing that would activate and grow in people’s spines when they were frightened. The only way to supress the Tingler was to scream. Scream for your lives!

the tingler

The Tingler incorporates a lot of gimmicks. I was lucky enough to see this movie a few years ago in a theatre that set up all those tricks and gags that the movie was intended to have. This included random seats being wired to vibrate at a certain time in the movie which really freaked those people out.

My favorite was when the picture just stops and Vincent Price’s voice warns the audience that the Tingler is loose in the theatre and that someone has fainted. Then two actors dressed in 1950’s nurses’ uniforms came in with a gurney and carted someone in the audience (a plant) away. It was SO GREAT! Even without this, the movie is fun to watch. Unlike the Ed Wood film, this one is fairly well written although campy and completely implausible. It is also notable as the first movie to depict an LSD trip.

Freaks (1932)

Freaks Movie

Our final movie is not funny. It is creepy as hell. If you’re watching the third season of American Horror Story, you’ll find Freaks is heavily referenced if not downright repurposed.

Freaks is a 1930’s film about a circus Freak Show using real deformed circus performers of the day as the actors. This was a time when the film industry used Jewish men from Brooklyn to play Native Americans with no compunction. So to have actual pinheads and dwarfs and Siamese twins onscreen was quite shocking. The purpose of the film was to humanize the deformed people for the audience and encourage compassion Most of the lines that would do that, however, were cut. One woman claimed the movie gave her a miscarriage and Freaks was banned from playing in the United Kingdom for 30 years.

The classic and most memorable line from this movie is “Gooble. Gobble. We accept her. One of us.” American Horror Story: Freak Show repeated “You’re on of us” several times in the first episode. I don’t want to give too much away, but here is that famous scene from the movie:

You may have guessed by now that the Ramones also referenced the film with “Gabba Gabba Hey!”.

So, what do you think? Have you seen these movies?
Do you have a favorite old “scary” movie most people don’t know about?

Thanks for reading and don’t forget to join the email list for new posts and other cool stuff.

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Halloween Month-Vintage Television

Barnabus Collins Quote

Lux Punk is dedicating all blog posts for the month of October to Halloween.
Specifically the kitschy cool of horror and the macabre. This week we look at television shows.

Fun fact: All three of the shows featured below are from the 1960’s.
Two are family sitcom spoofs and one is about vampires and werewolves and time travel and everything else they could throw into the cauldron.

The Munsters

I think my favorite is The Munsters. It still makes me laugh. The Munsters was a monster version of the numerous “perfect family” t.v. shows that were popular in the 1950’s. The family included a Frankenstein husband, an undead wife, werewolf son and vampire grandpa. Not to mention the beautiful niece, Marilyn, who was considered by the family to be homely and unfortunate looking.

munstersfamilyportrait

(Source)

Stylistically, this show had a great impact on me. The home decor, although a little more cobwebby than I prefer, was great, like a haunted house. Lily’s clothes were very elegant, or at least, Yvonne De Carlo made them seem that way. She was graceful and poised and knew how to rock a white streak in her jet black hair. That’s still a good look, right Stacy London?

stacys-london(Source)

There’s also something very dashing about Eddie’s outfit. It’s a Little Lord Fauntleroy type suit that he still managed to make seem a little bad ass. I think this would actually look good today. It’s rah-ther vintage Yves Saint Laurent, no? I can see some young fashionista wearing this while drinking vanilla lattés at a hipster cafe. Right? Huh? Anybody?

Looks like Marilyn is wearing Eddie's (1)

The best thing was the family car. Because of this show, in the mid-1990’s, I owned a hearse. It was a 1970 classic silver bullet with wall sconces and curtains in the back. Not everybody got it. Some people were infuriated that a person would rehabilitate an old car and give it a new job. Others just freaked out and ran away. I knew just how the Munsters felt.

 

The Addams Family

the addams family cartoon

(Source)

The Addams family was another spooky family sitcom which ran in the mid-60’s at the same time as The Munsters. In a similar vein, it portrayed a happy American family who just happened to be ghoulish. Morticia’s look is faultless. If you’ve only seen the movie version, you must watch the TV series. Carolyn Jones was perfection as Morticia. She seemed to just drip the color black and moved with a grace most women would die for. Ha ha. Get it?

addams family(Source)

As for the children, what was considered outlandish behavior at the time is now fairly common place. The daughter, Wednesday, was a typical modern tween, moody, slightly unhinged. You can’t fault her dress though. It looks like something straight out of Modcloth.

The patriarch, Gomez, was a dapper man, as passionate and defiant as Herman Munster was goofy and eager to please. Gomez was dashing and the whole family (except for the son, Pugsly, who looked like his clothes came from Gap) had an Edgar Allen Poe-ish quality that portrayed a dark beauty. (And yes, I know I’m leaving out Lurch and Thing and a bunch of others)

My favorite thing about the Addams Family is that it’s based on the New Yorker cartoons created by Charles Addams. These cartoons, in my opinion, make the television show and movies a million times cooler.

I love this guy. There’s an anthology of his work here:

The World Of Charles Addams

Great Holiday gift if you’re into that sort of thing.

 

Dark Shadows

The last featured television show from the 1960’s is quite different from the other two and by no means a family sitcom. In fact, this show scared the living shit out of me. When I got out of elementary school, my sister and I walked to Mrs. Kaufold’s house for a felt board Bible story. For the half hour between school and the sacred felt board we could choose among playing outside, playing a board game or watching t.v. I watched t.v. and the show that was on at that time was…

It was about a stoic, mysterious vampire, Barnabus Collins, who was released from his coffin after 200 years. Imagine Dr. House only less warm and fuzzy and with a thirst for blood instead of drugs.

There was one episode where a guy turned into a werewolf that gave me recurring nightmares. I think I tried playing outside for a while after that before the Bible story, but surprisingly, outside was worse. It turns out, that’s where all the mean kids were.

The show slipped back and forth through time from the 1960’s to the 1700’s with the same cast and started to get a little unwieldy. It was very low budget. According to Katherine Leigh Scott, in her book, Dark Shadows Memories, they used fake fingernails for fangs to save money.

Unfortunately, the movie Dark Shadows is silly and not creepy cool like the t.v. show. The television Barnabus Collins is more like Johnny Depp’s Sweeney Todd than Johnny Depp’s Barnabus.

This video from You Tube shows how groovy this show was. Also, because the scenes were mostly filmed in one take, Ed Woods-style, there are also some hilarious bloopers.

Be sure to join Lux Punk on Instagram. Halloween costumes and other non-vintage items will be available for sale soon, right from Instagram. All you need is a Paypal account.

Also, subscribe to the newsletter now to find out about the next blog posts and other goings on.

Until next time…

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The Shocking Thing Many Young People Don’t Know

Hello, Kurt Cobain

Hello, Kurt Cobain

 

Are you ready for a shocking truth? There are many, many young people, even college age, who don’t know who Kurt Cobain is.

It’s true.

They only know Madonna as a 50 year old. They know James Franco, but not James Dean.

 

James Dean vs James FrancoJames Dean and not James Dean

We live in a time when tattoos aren’t just images of skulls and Celtic knots. They are also comic book characters and Star Wars themes. This is the ultimate Revenge of The Nerds.

Anti-Cool

With the advent of computers, technology and the success of Silicon Valley, Nerd Culture has become the new Cool. Or, more accurately, Anti-Cool. Of course, it’s a reflection of the zeitgeist and all that, but if Cool is dead (which I don’t for one second believe) it shouldn’t wither and fall and break a hip and forget who it was. It should go out slowly and burn ferociously like a dying planet.

I don’t actually know if that’s how planets go out because I’m not a nerd.

Is Cool Such A Relic That It’s In A Museum?

Recently the Smithsonian Institute had an exhibit of photographs called American Cool. There is a related site here that chronicles the development of  Cool.

This site is really interesting. In the “Birth of Cool” section, it reads:

“Being cool was a response to the rapid changes of modernity: it was about maintaining a state of equipoise within swirling, dynamic social forces.

The legendary jazz saxophonist Lester Young disseminated the word and concept of cool into jazz culture in the early 1940s, and it quickly crossed over as a rebel masculine sensibility.

When Young said, “I’m cool,” he meant, first, that he was relaxed in the environment and, second, that he was keeping it together under social and economic pressure as well as the absurdity of life in a racist society.

According to the creators of the exhibit, the subjects were selected using four criteria.

  1. They had to have an artistic vision and signature style
  2. They were perceived as a cultural rebel
  3. They had high profile recognition
  4. They have a recognized cultural legacy

In other words…

The Ramones

Cool does not follow along blindly. It questions, it envisions, it gets pissed off and creates something new.

This blog is dedicated to cool in all its forms and variations. It’s dedicated to style, music, art and creativity.

It is also dedicated to my vintage and handmade business, so let’s not forget about that. Until next time, stay cool, Boy (and Girl).

Who do you think is cool?

 

*Affiliate links were used in this post.

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It Begins

198522_10150104215350920_512910919_6493972_6869974_n

Yes, that’s me. Those were the days. Well, they were some days. These are days, too, but you know that.

Getting dressed was fun for the well-dressed Punk of the 1980’s. We sometimes had more fun getting dressed than actually hanging out. Back then, we made up the looks as we went along. We used cat collars as bracelets, spiked dog collars as boot straps, spray paint, safety pins and, of course, vintage because, back then, no one else wanted it. (Can you imagine?)

That love of DIY, thinking outside the mall, and, of course, vintage, has stuck with me all these years. Lux Punk is a tribute to that refashion-fashion sense, creativity, rebellion and badass style.

Oh, and of course, vintage.

 

 

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